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    See Also:


     from Wikipedia
    Dance · Music · Opera · Theatre  · Circus Arts

    Magic · Puppetry

    Drama · Tragedy · Comedy · Tragicomedy · Romance · Satire · Epic · Lyric

    The performing arts are those forms of art which differ from the plastic arts insofar as the former uses the artist's own body, face and presence as a medium, and the latter uses materials such as clay, metal or paint which can be molded or transformed to create some physical art object. The term "performing arts" first appeared in the English language in the year 1711.

    Contents

    Types of performing arts

    Performing arts include the dance, music, opera, drama, and circus arts.

    Artists who participate in performing arts in front of an audience are called performers, including actors, comedians, dancers, musicians, and singers. Performing arts are also supported by workers in related fields, such as songwriting and stagecraft.

    Performers often adapt their appearance, such as with costumes and stage makeup, etc.

    There is also a specialized form of fine art in which the artists perform their work live to an audience. This is called Performance art. Most performance art also involves some form of plastic art, perhaps in the creation of props. Dance was often referred to as a plastic art during the Modern dance era.

    Music

    Music as an academic discipline mainly focuses on two career paths, music performance (focused on the orchestra and the concert hall) and music education (training music teachers). Students learn to play instruments, but also study music theory, musicology, history of music and composition. non-musicians by teaching skills such as concentration and listening.

    Drama

    "Drama" (Greek "to do", 'seeing place') is the branch of the performing arts concerned with acting narrative dialogue style of plays, theatre takes such forms as Musicals, opera, ballet, Illusion, mime, classical Indian dance, kabuki, mummers' plays, Improvisational theatre, stand-up comedy, pantomime and Non-conventional or Arthouse theatre.

    Dance

    Dance (from Old French dancier, perhaps from Frankish) generally refers to human movement either used as a form of expression or presented in a social, spiritual or performance setting.

    Dance is also used to describe methods of non-verbal communication (see body language) between humans or animals (bee dance, mating dance), motion in inanimate objects (the leaves danced in the wind), and certain musical forms or genres.

    Choreography is the art of making dances, and the person who does this is called a choreographer.

    Definitions of what constitutes dance are dependent on social, cultural, aesthetic artistic and moral constraints and range from functional movement (such as Folk dance) to codified, virtuoso techniques such as ballet. In sports, gymnastics, figure skating and synchronized swimming are dance disciplines while Martial arts 'kata' are often compared to dances.

    History of Western performing arts

    Starting in the 6th century BC, the Classical period of performing art began in Greece, ushered in by the tragic poets such as Sophocles. These poets wrote plays which, in some cases, incorporated dance (see Euripides). The Hellenistic period began the widespread use of comedy.

    However, by the 6th century AD, Western performing arts had been largely ended, as the Dark Ages began. Between the 9th century and 14th century, performing art in the West was limited to religious historical enactments and morality plays, organized by the Church in celebration of holy days and other important events.

    Renaissance

    In the 15th century performing arts, along with the arts in general, saw a revival as the Renaissance began in Italy and spread throughout Europe plays, some of which incorporated dance were performed and Domenico da Piacenza was credited with the first use of the term ballo (in De Arte Saltandi et Choreas Ducendi) instead of danza (dance) for his baletti or balli which later came to be known as Ballets. The first Ballet per se is considered to be Balthasar de Beaujoyeulx's Ballet Comique de la Reine (1581).

    By the mid-16th century commedia dell'arte became popular in Europe, introducing the use of improvisation. This period also introduced the Elizabethan masque, featuring music, dance and elaborate costumes as well as professional theatrical companies in England. William Shakespeare's plays in the late 16th century developed from this new class of professional performance.

    In 1597, the first opera, Dafne was performed and throughout the 17th century, opera would rapidly become the entertainment of choice for the aristocracy in most of Europe, and eventually for large numbers of people living in cities and towns throughout Europe.

    Modern era

    The introduction of the proscenium arch form that persists to this day. Meanwhile, in England, the Puritans forbid acting, bringing a halt to performing arts which lasted until 1660. After this period, women began to appear in both French and English plays. The French introduced a formal dance instruction in the late 17th century.

    It is also during this time that the first plays were performed in the American Colonies.

    During the 18th century the introduction of the popular opera buffa brought opera to the masses as an accessible form of performance. Mozart's The Marriage of Figaro and Don Giovanni are landmarks of the late 18th century opera.

    At the turn of the 19th century Beethoven and the Romantic movement ushered in a new era that lead first to the spectacles of grand opera and then to the great musical dramas of Giuseppe Verdi and the Gesamtkunstwerk (total work of art) of the operas of Richard Wagner leading directly to the music of the 20th century.

    The 19th century was a period of growth for the performing arts for all social classes, the technical introduction of gaslight to theaters in the United States, burlesque (a British import that became popular in the U.S.), minstrel dancing, and variety theater. In ballet, women make great progress in the previously male-dominated art.

    Modern dance began in the late 19th century and early 20th century in response to the restrictions of traditional ballet.

    Konstantin Stanislavski's "System" Both impressionism and modern realism were introduced to the stage during this period.

    With the invention of the motion picture in the late 19th century by Thomas Edison, and the growth of the motion picture industry in Hollywood in the early 20th century, film became a dominant performance medium throughout the 20th and 21st centuries.

    The Darktown Follies and the later cultural growth of the Harlem Renaissance spanned the 1910s to the early 1940s. Rhythm and blues, a cultural phenomenon of black America became a distinctive genera in the early 20th century.

    In the 1930s Jean Rosenthal introduced what would be come modern stage lighting, changing the nature of the stage as the Broadway musical became a phenomenon in the United States. George Gershwin and Rodgers & Hammerstein radically re-shaped the medium as the Great depression ended and World War II erupted.

    Post-War performance

    Post-World War II performing arts were highlighted by the resurgence of both ballet and opera in Europe and the United States.

    Alvin Ailey's revolutionary American Dance Theater bombarded the public consciousness in the United States and abroad. Postmodernism in performing arts dominated the 1960s to large extent.

    Rock and roll evolved from rhythm and blues during the 1950s, and became the staple musical form of popular entertainment.

    In 1968, Hair introduced the rock opera.

    History of Eastern performing arts

    Middle East

    The earliest recorded theatrical event dates back to 2000 BC with the passion plays of Ancient Egypt. This story of the god Osiris religion.

    The most popular forms of theater in the medieval Islamic world were puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziya, where actors re-enact episodes from Muslim history. In particular, Shia Islamic plays revolved around the shaheed (martyrdom) of Ali's sons Hasan ibn Ali and Husayn ibn Ali. Live secular plays were known as akhraja, recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theater.

    India

    Folk theatre and dramatics can be traced to the religious ritualism of the Vedic peoples in the 2nd millenium BC. playing the role of hunters.

    Bharata Muni (fl. 5th–2nd century BC) was an ancient Indian writer best known for writing the Natya Shastra of Bharata, a theoretical treatise on Indian performing arts, including theatre, dance, acting, and music, which has been compared to Aristotle's Poetics. Bharata is often known as the father of Indian theatrical arts. His Natya Shastra roopaka which means portrayal.

    The Ramayana and Mahabharata and they do it even today. Indian dramatists such as Bhasa in the second century BC wrote plays that were heavily inspired by the Ramayana and Mahabharata.

    Kālidāsa in the first century BC, is arguably considered to be ancient India's greatest dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram (Mālavikā and Agnimitra), Vikramuurvashiiya (Pertaining to Vikrama and Urvashi), and Abhijñānaśākuntala (The Recognition of Shakuntala). The last was inspired by a story in the Mahabharata and is the most famous. It was the first to be translated into English and German. In comparison to Bhasa, who drew heavily from the epics, Kālidāsa can be considered an original playwright.

    The next great Indian dramatist was Bhavabhuti (c. 7th century). He is said to have written the following three plays: Malati-Madhava, Mahaviracharita and Uttar Ramacharita. Among these three, the last two cover between them, the entire epic of Ramayana. The powerful Indian emperor Harsha (606-648) is credited with having written three plays: the comedy Ratnavali, Priyadarsika, and the Buddhist drama Nagananda. Many other dramatists followed during the Middle Ages.

    China

    There are references to theatrical entertainments in China as early as 1500 BC during the Shang Dynasty; they often involved music, clowning and acrobatic displays.

    The Tang Dynasty is sometimes known as 'The Age of 1000 Entertainments'. During this era, Emperor Xuanzong formed an acting school known as the Children of the Pear Garden to produce a form of drama that was primarily musical.

    During the Han Dynasty, shadow puppetry government.

    In the Sung Dynasty, there were many popular plays involving acrobatics and music. These developed in the Yuan Dynasty into a more sophisticated form with a four or five act structure.

    Yuan drama spread across China and diversified into numerous still popular today.

    Southeast Asia

    Theatre in Southeast Asia was mostly influenced by Indian theatre.

    In Thailand, it has Thailand's national epic Ramakien, a version of the Indian Ramayana, remains popular in Thailand even today.

    In Cambodia, at the ancient capital Angkor Wat, stories from the Indian epics Ramayana and Mahabharata have been carved on the walls of temples and palaces. Similar reliefs are found at Borobudur in Indonesia.

    Japan

    During the 14th century, there were small companies of actors in to perform and adapt his style into what is today Noh. A mixture of pantomime and vocal acrobatics, this style has fascinated the Japanese for hundreds of years.

    Japan, after a long period of civil wars and political disarray, was lifetime, most of which are still used today.

    Kabuki began shortly after Bunraku, legend has it by an actress their subtle movements and gestures.



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